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Gustav Klimt – The Kiss – Das Werk Gustav Klimts

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Gustav Klimt – The Kiss – Das Werk Gustav Klimts, 1908-1914

18 × 18 1/2 in
45.7 × 47 cm


Collotype on chine colle on hand made Japon paper, from the portfolio “Das Werk Gustav Klimts,” Vienna, 1908-14 (H. O. Miethke, Editor-Publisher, K.K. Hof-und Staatsdruckerei, Printer). This series is the result of collaborative project between the Viennese Gallery Miethke, under the supervision of the master painter Gustav Klimt. It is known that the project started in 1908 and took 6 years to be completed before Klimt’s perfectionist eye was satisfied. The set was released in groups of ten images, including two color masterpieces, every 18 months starting in 1908.The Gallery Miethke in Vienna was The Pioneering “Art House” where Gustav Klimt was exclusively represented. The prints in “Das Werk Gustav Klimts” depict Klimt’s most important paintings from 1898 to 1913.


Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, muralssketches, and other objets d’art. Klimt’s primary subject was the female body,[1] and his works are marked by a frank eroticism.[2] In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.

Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his “golden phase”, many of which include gold leaf. Klimt’s work was an important influence on his younger contemporary Egon Schiele.